ANM 253

I will NOT be able to make a SATURDAY CLASS as we previously discussed last Tuesday. We will get a chance to do a Saturday Class in the future.  We will shoot some Greenscreen Next week using the photos you took for class. Meet me on the first floor outside the greenscreen room. I will bring the camera and the monitor  All you need to do is bring your background plate photos and I will show you how to use a lighting plot. See you all there!

4 Bank Kinoflo Ballast Two Bank Kinoflo Ballast Kino Flo 4 Bank with Daylight Bulbs 5500Kelvin Kino Flo Ballasts 2 Bank Kino Flo with Daylight Bulbs 5500Kelvin Arri 650 Arri OPen Face 2K Century Stand Red=1 stop, Green=1/2 Stop Gobo Head and Arm 4x4 Floppy Flag Arri 1K Arri 150 Arri 300

Welcome! Today we covered the basics of how to light a green-screen for compositing.  It takes a little bit of time and effort to assure the green doesn't bleed onto the subject! Over the next few weeks we will go over the proper use of lighting and grip gear and the basics of how to light a subject to achieve the lighting effects to match a background plate shot. Here on this blog I will add some short videos and photographs to further demonstrate concepts that we cover in class every week. I would like you get a good pair of gloves and a flashlight for tools. Here is a great example of a mix of VFX, Helicopter, Crane and a moving camera car with 8 cameras shooting a scene that blends seamlessly into a one-take long dramatic shot from the film War of the Worlds. Ill add some scenes that I would like you to look at that may be a bit more our speed that we can shoot in class. I would like to invite you to my Grad Lighting class to get an idea of how a crew works to...